Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Thursday, November 19, 2020

Southern Oregon Comedy Film Festival Adapts To Virtual Streaming

The 2020 Killer Valley Comedy Film Festival (KVCFF) follows the 13-year legacy of the horror film festival that introduced “Killer Valley” to the Pacific Northwest, and will stream on their official website from Friday, Nov. 20 - Sunday, Dec. 6, 2020. 

For 10 years, the horror film festival had been a one-night affair, hosted live in Ashland, OR. By its eleventh year (2018) the contributions from filmmakers from around the globe had grown into two nights worth of content, and the team split the program so that one night held all the satire, spoofs, and “so-bad-it’s-funny” movies, while the other night showcased the creepy, spooky, and truly scary films of the horror genre.

Following the positive feedback from their audience, the Killer Valley team spawned a second genre film festival, this time to celebrate the best original comedy films from underground and emerging filmmakers. Now in only the second year of their comedy fest, the organizers have had to tackle the challenge of showcasing the collection of highly laughable movies without a live event.

Last month, in October 2020, The Killer Valley Horror Film Festival (KVHFF) launched virtually on their website, and the filmmakers behind the movies streamed could not have been happier. Traditionally held in Southern Oregon, often only the local and near-local filmmakers were able to attend. As submissions began to grow beyond the Pacific Northwest, this left more of the filmmakers out of the experience of enjoying other new movies and networking with filmmakers within their favorite genre.

While the virtual festival still has a challenge in replacing the networking portion of an in-person event, it opens up viewership far beyond the home turf of the festival hosts. “1 Dead Dog,” a dark comedy/horror film out of Portland, Oregon was the featured presentation of 2020's KVHFF. Due to the festival’s streaming experience, the film was seen and reviewed by a staff writer out of North Carolina for the horror movie web magazine, Horror Obsessive. Other filmmakers from outside of the area were able to share with their fans and followers, allowing them a chance to watch without traveling cross-country or further.

According to the festival’s event host and website manager, Levi Anderson, the film blocks from their horror festival had verified viewers from Great Britain, Italy, Australia, China, and Bangladesh, plus web visitors from additional countries across the world. Anderson finds a nerdy delight in being able to see just which particular (yet anonymous) viewers actually watched entire film blocks and which only checked out the previews. “That’s really cool to see, and with filmmakers in our comedy festival from some of those same countries, plus Brazil, Spain, The Netherlands, Ireland, Mexico… we are giving all the filmmakers a truly international audience,” says Anderson.

The comedy festival, and all things “Killer Valley,” still try to keep some local flavor. One of the highlights of 2020’s Killer Valley Comedy Festival is the comedic music video, “White Pants,” performed by Lucky Doug Fergus and directed by music producer/engineer Sylvia Massey. Massey has a highly-respected career working with popular as well as underground music artists, from Green Jellö, Tool, System of a Down, and many artists under Rick Rubin’s American Recordings label, to local bands and musicians around Southern Oregon and Northern California.

Massey operated her own music studio in Weed, CA for 11 years, where Lucky Doug Fergus met and began recording tracks with her, before making a move to Ashland, OR which was Fergus’s own stomping grounds. The funny music video was produced at many recognizable locations in Ashland, featuring crew from the locally produced films “Phoenix, Oregon” (Joma Films/2020) and “Atomic Apocalypse” (Gothic Manor/2020).

Additional films in the comedy festival include "Mr. Dark: A Tasty Burger," directed by Jesse James Hennessy, "Mailer Daemon," from John Mudge, "Tipsy," directed by Daryl Della, the animated shorts, “Nukey the Nuke-Boy,” from Demetrios Tzamaras and “Dylan & Dave,” from Greg Zajac (Canada), the mockumentaries “The Virus,” from Kindrid Parker and Jon Allen, “Paved,” from Justin Norman, and “Eugene Eubanks: Baltimore’s Favorite Son,” from Radomir Jordanovic.

International films that will be streaming include “Cuckoo!” from Jörgen Scholtens (The Netherlands), “The Man Who Became a Meme,” from João Rabello (Brazil), “Bitch,” from Darragh Moran (Ireland), “¿Qué Harías?” by Nicole Katzew (Mexico), “Bonne Conduite,” directed by Théo Semeteys (France), "The Body," directed by Adam Weber (Australia), “Dinner for Two,” directed by Finnian Williamson (Australia), and “(The Eternal Struggle Between Saints and Sinners Erupts in a) Gunfight!,” directed by The Helmers (Canada).

KVCFF would not be complete without paying homage to the satirical horror/comedy films that helped spawn this comedy festival to begin with. “Second Life Citizens,” directed by Neil Willoughby, is a campy return to the gratuitous gore of 80s & 90s era zombie flicks, and “Stay,” from director Ken Amin (Canada), is a descent into madness, ever-so-relatable in the 2020 quarantine environment.

The 2020 Killer Valley Comedy Film Festival will be streaming all the films in 3 distinct film blocks, each with introductions by the festival host. Much of the content is geared towards a mature audience, and of course those with a sense of humor.

Movie fans can purchase a view pass to watch the films at any time within the 3 week viewing window (Nov. 20 - Dec. 6) at: https://www.KillerValleyComedyFilmFestival.com.

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Thursday, December 3, 2015

Review of "The Mayo Conspiracy"



Promoted as a mockumentary of the seedy underbelly of the condiment industry, The Mayo Conspiracy highlights the cartel referred to as “Big Mayo” and their grip on America’s condiment usage. How much power could Big Mayo hold over the public? If you believe the facts revealed in this film, Big Mayo had hands in some of the biggest events in American history, from the JFK Assassination, to the CIA’s clandestine attack on the ghettos, to the Bill Clinton/Monica Lewinsky scandal, and the most recent controversy over the newly passed Affordable Care Act promoted by President Obama.

The white devil’s condiment is just one tool wielded by the condiment establishment to keep control over the populace, but it’s unobtrusive nature makes it one of the most powerful. The typical citizen may not have any idea how ingrained in our society mayo has become, and while this film is satirical in nature, this reviewer believes that the filmmakers have used their jokes to hide some disturbing facts in a way that gets the word out to investigative viewers while protecting themselves from the mayo cartel’s vengeance.

Sunday, October 4, 2015

Review of "The Throbbit"



I know what you’re thinking already, yes “The Throbbit” is a “re-imagining” of “The Hobbit”, but definitely not the XXX version I originally thought by the title. This feature-length spoof film just barely ranks around a PG-13. It contains a good bit of adult humor, but in the way of innuendos and word-play rather than anything explicit.

Now, I may not be the best reviewer to write about a film that spoofs a trilogy (I only saw the first and fell asleep mid-way) which itself is based on a classic book (that I haven’t read). My apologies if I miss glaringly obvious references to the original material (either Tolkien or Jackson). What I can appreciate, though, is the grand set design, costuming, puppetry, and for the micro-budget fan film that this is, the achievements in special effects and camerawork that were able to pull the audience into just as magical of worlds as the Peter Jackson films (I did see the trailers at least, as well as the LOR Trilogy).

Director Timothy Alan Richardson did not have the production team and post-production studios that Peter Jackson did, however he still manages to bring Dweebs, Gooblins (more than just goblins), a David Bowie inspired Gooblin King, flying beagles, a nation of Elfises in a Las Vegas style Rippendell, and a drag(on) queen to life.

Monday, September 14, 2015

Review of "The Jersey Devil"


* Finally, a Faith-Based Christian Film with some meat to it! *

“The Jersey Devil” plays fast and loose with the details of any particular biblical source, but that doesn’t make this film any less worthy as a spiritual guide to help viewers on a path towards an afterlife without all the guilt associated with following any moral code.

Starring Jack Mulcahy as Lucifer and Keith Collins as James Burnett, the demented soul who is recruited to take over the reigns of Hell from Lucifer so that he can retire and enjoy himself a little bit. Along for the ride is Richard (Edvin Ortega), a recently lost soul with a crippling porn addiction and no backbone who James recruits to be his new Devil’s Advocate. Once Lucifer hands over the keys to the kingdom below, James’ first order of business is to relocate Hell to somewhere new and put a “fresh face” on Hell to entice more souls. His choice? Jersey City, NJ. Lucifer instantly regrets his decision to retire, and follows the new Satan to drag him back to the original Hell.


The film is being released by the Shami Media Group and will be available in stores and online on October 27th.

Official Trailer: https://www.youtube.com/watch?v=l10SsT9UDWc
On Facebook: https://www.facebook.com/jerseydevilmovie


Monday, August 3, 2015

Review of "Nuclear Neighborhood"

“Nuclear Neighborhood” is a film that looks & feels like it came from graduates of Troma University; a sci-fi/horror film made with little budget but plenty of fun and creativity. Within no time, Matthew J Oliver’s film jumps right into the meat & bones of the story.




Dan’s girlfriend is kidnapped by a strange man in a creeper van, and Dan’s friends conclude that she’s being kept in the weird apartment building up the road. Weird because all kinds of unexplained activity and an assortment of trippy, deformed people that seem to inhabit the building. As it turns out, radioactivity is the root cause of the eerie phenomenon, but this info isn’t enough to keep Dan and crew from breaking in to save his girl. As the team splits up, they encounter monsters, booby traps, and misunderstood freaks of nature as they get deeper into the madness and closer to the villain who took Dan’s woman.



“Nuclear Neighbordhood” will be screening at the Art Theatre of Long Beach on Thursday August 6th @ 9pm, The Dark Room Theatre in San Francisco on Sunday Aug 9th @ 7pm, and Movie at LoBot Gallery in Oakland, Ca on Sat August 8th @ 9pm.

Official Trailer: https://youtu.be/4uNr7UxRPDg

Facebook Page: https://www.facebook.com/NuclearNeighbourhoodOfficialMovie

IMDB Page: http://www.imdb.com/title/tt4526874/

Review of "Intrigue", a Short Film


With light-hearted fun, director Mikel J. Wisler brings the audience into a campy spy thriller, and just when you think you think you’ve figured out each of the possible ways the story can go, he pulls the rug out from you in the most unexpected way, bringing some very authentic laughter and finishing the short movie in a most relatable way.



Saturday, May 2, 2015

Review of "Wipeout", a short film

A man with chronic Obsessive Compulsive Disorder falls in love with a beautiful female jogger, and takes up running in a bid to win her heart.

Made in 7 days in conjunction with the Aarhus Short Film Challenge 2014 in Denmark, this silent film is full of heart and plenty of chuckles.



Monday, March 2, 2015

Review of "Bounty Killer" - A fun-as-f*** thrill-ride through a dystopian wasteland

In an alternate universe (or the near future), where corporations have taken control over world governments and destroyed civilization through the latest batch of corporate sponsored world wars, the remaining people’s only hope lay in the hands of a select crew of Bounty Killers.

These bounty killers are sanctioned by the grassroots “Council of Nine” to execute all white-collar criminals, and compete with one another to see who can stack up the highest body count (and sign the most autographs for their adoring fans). The two top bounty killers are Drifter (Matthew Marsden) and Mary Death (Christian Pitre), best friends and sometime lovers – but when word gets out that the “Council of Nine” has issued a death warrant for Drifter, Mary Death is forced to decide what matters most – money & fame, or true love.





Review of "Sad Clown", a short film

What do you do if your job is to make people laugh, but you can’t find joy for yourself? 
I recently watched Jason ’P. Schumacher’s short film, “Sad Clown”, a new 11-minute story featuring the tortured but treasured and timeless character. The film opens with a professional clown, putting on his makeup before a live show. The ringmaster enters and is alarmed, as this clown is not wearing a big red smile, but instead is in the process of painting on a frown and little blue teardrops. How can this be? With the show only moments from starting, what can be done to make this clown change his mood?

While in the traditional story of the clown and the doctor, we never know why the clown is depressed, but in “Sad Clown”, we learn the history… a jovial clown, once in love with a beautiful lady clown, has had his happiness whisked away by the whizz-bang flash of the circus magician… or should I say, illusionist? And now, this poor clown has no joy left to share with the world.





Review of "A Killer Conversation"

“What’s the use of having an ‘almost’ shitty life? The ‘almost’ is hardly any consolation, is it?”
A Killer Conversation, written by Michael Haberfelner and directed by David V G Davies, stars Melanie Denholme (also serving as producer), Ryan Hunter, and Rudy Barrow.

It takes less than 1 minute for Karl (Hunter) to hear a knock at the door, and upon answering, be knocked out by a burglar (Barrow) who then enters Karl’s flat with plans to rob and kill him. Before getting to the plundering, however, the burglar is a bit hungry and decides to keep Karl alive for a few moments so that the burglar can enjoy some company as he eats the meal that Karl had just been preparing for himself.

Thus begins this absurd dark comedy, where the burglar and Karl philosophize about life, love, and proper manners around Karl’s kitchen table. The burglar even promises to do the dishes after he kills Karl, so that when the neighbors find his body, they don’t judge him as a filthy beast.



Monday, February 2, 2015

Review of "How I Buried My Ex-Boyfriend's Body"

“The perfect crime… kind of… not really”

An action comedy from Fat Foot Films, directed by Dennis Nadeau, “How I Dumped My Ex-Boyfriend’s Body” (HIDMEBB) tells the story of Maxine and Shae as they look for a way to discretely dispose of a dead body, Maxine having accidentally killed her ex-boyfriend during an argument. Missteps along the way push the girls to ask Shae’s cousin Mikey (who has underground connections) for help. He recommends a “fixer” by the name of Tony, a cleaner for the mob. When Tony shows up, he is not at all what the girls expected, but does his job disposing of the body and covering all their tracks. The girls mistakenly believed that Tony did the job as a favor, when in reality, now they owe Tony $10,000, which they don’t have. This sets them off on another adventure to try and get that money before Tony comes back to collect.  All along the way, Maxine’s weird neighbor with an obsessive crush, Roger, bumbles in & out of their mess, creating even more missteps for our leading ladies.

This was a fun and raunchy comedy, made on the lowest of budgets. All the proper elements of a film combine well to prove Dennis Nadeau is a talented comedy director. While some of the story jokes are easy to pre-read, that doesn’t make them any less effective. The pacing of the action along with the camerawork and editing are spot-on for good comedic timing. The dialogue between the characters is witty and fun all the way through, however, I got the feeling (correctly) that even though the lead characters are women, the script was written by a man.  Not that there’s anything wrong with that (as George Constanza would say), and I know many women that are as crude or worse than their male counterparts, but it seems men have a tendency to steer any situation towards a dick joke when possible. However, in this case, I think it worked in the film’s benefit to have leading ladies rather than leading men, as it would have been a sausage-fest otherwise, but also it’s nice to see women in less stereotypical roles.





Saturday, December 6, 2014

Chelsea Peretti Says “LIKE” 430+ Times in Her New Comedy Special

Readers be like, "430 times, huh? He actually CLOCKED THIS?"
Yes, I did. It’d be easy to write a clickbait headline exaggerating something along the lines of “Chelsea Peretti Says ‘Like’ a Hundred Million Times” but I couldn’t in good conscience write an article based on hyperbole. (I tried to make a cool visual chart of the data, but failed miserably. If anyone has the skills to do so, feel free to download the CSV of "likes as lap times" here. )
I had picked Chelsea Peretti’s special “One of the Greats” over the multitude of stand-ups now on Netflix because, if she was good, I'd enjoy watching “Brooklyn Nine-Nine” just a little bit more. The first gold star for her was rolling up on that motorcycle in in front of the Palace of Fine Arts in San Francisco. No wussy little cruiser. A badass sport bike. I was getting turned on… maybe it was her Clint Eastwood voiceover, but regardless, her mission was already half-accomplished.

Friday, January 14, 2011

The Bleeder

Is there a bit of slang in performance art called the “nosebleed?”   If not, there should be. I’m not sure what it would pertain to, but something to do with blasting through obstacles in a performance.  The urban dictionary has a few interesting definitions of nosebleed, and as is common with the urban dictionary, every word has to have at least two sexual definitions, whether they make sense or not.  One seemingly normal definition, however, was:
  1. Metaphorically used to describe incredible heights
  2. Metaphorically used to describe incredible speeds
I can get behind this definition as a starting point for deriving a whole new definition of the “nosebleed” in the context of performance art (such as Stand-up Comedy, for example).
nosebleed_2
Why the keen interest in the nosebleed? It comes from my latest travels during the holiday season.  While on the road, I spent some days in Portland, OR and there just happened to be a few Comedy Open Mics during the nights I was in town.  Well, hell yeah, I’ll sign up and do a few minutes of my shit for P-town. It was cool how many performers there actually were at the different clubs in town. Portland has a nice little comedy scene going, and it seems like the crowds are quite supportive.