Showing posts with label satire. Show all posts
Showing posts with label satire. Show all posts

Thursday, December 3, 2015

Review of "The Mayo Conspiracy"



Promoted as a mockumentary of the seedy underbelly of the condiment industry, The Mayo Conspiracy highlights the cartel referred to as “Big Mayo” and their grip on America’s condiment usage. How much power could Big Mayo hold over the public? If you believe the facts revealed in this film, Big Mayo had hands in some of the biggest events in American history, from the JFK Assassination, to the CIA’s clandestine attack on the ghettos, to the Bill Clinton/Monica Lewinsky scandal, and the most recent controversy over the newly passed Affordable Care Act promoted by President Obama.

The white devil’s condiment is just one tool wielded by the condiment establishment to keep control over the populace, but it’s unobtrusive nature makes it one of the most powerful. The typical citizen may not have any idea how ingrained in our society mayo has become, and while this film is satirical in nature, this reviewer believes that the filmmakers have used their jokes to hide some disturbing facts in a way that gets the word out to investigative viewers while protecting themselves from the mayo cartel’s vengeance.

Sunday, October 4, 2015

Review of "The Throbbit"



I know what you’re thinking already, yes “The Throbbit” is a “re-imagining” of “The Hobbit”, but definitely not the XXX version I originally thought by the title. This feature-length spoof film just barely ranks around a PG-13. It contains a good bit of adult humor, but in the way of innuendos and word-play rather than anything explicit.

Now, I may not be the best reviewer to write about a film that spoofs a trilogy (I only saw the first and fell asleep mid-way) which itself is based on a classic book (that I haven’t read). My apologies if I miss glaringly obvious references to the original material (either Tolkien or Jackson). What I can appreciate, though, is the grand set design, costuming, puppetry, and for the micro-budget fan film that this is, the achievements in special effects and camerawork that were able to pull the audience into just as magical of worlds as the Peter Jackson films (I did see the trailers at least, as well as the LOR Trilogy).

Director Timothy Alan Richardson did not have the production team and post-production studios that Peter Jackson did, however he still manages to bring Dweebs, Gooblins (more than just goblins), a David Bowie inspired Gooblin King, flying beagles, a nation of Elfises in a Las Vegas style Rippendell, and a drag(on) queen to life.